Results 1 to 6 of 6

Thread: The trip and trick RAW Processing and Software

  1. #1
    Gentian Paul's Avatar
    Gentian Paul is offline Senior Member
    Join Date
    May 2011
    Posts
    374
    Ranking
    3

    Default The trip and trick RAW Processing and Software


    OK. Let's see if this one goes. What RAW brand do you use? and why?

  2. #2
    Kevin Daire's Avatar
    Kevin Daire is offline Senior Member
    Join Date
    May 2011
    Posts
    357
    Ranking
    3

    Default

    I use RSE. I used to use C1 but discovered RSE plenty quicker and is quicker to do fast alterations. I don't like ACR for some purpose. I have not tried bibble though. Here is a tip. When dealing with a raw computer file that has some under/over visibility, do some electronic mixing by overexposing a duplicate then underexposing a duplicate then start all three in adobe photo shop and modify the levels as necessary. I have discovered that I this performs well when I do not take the attempt to do visibility bracketing.

  3. #3
    Obert Gentian's Avatar
    Obert Gentian is offline Senior Member
    Join Date
    May 2011
    Posts
    304
    Ranking
    3

    Default

    Until yesterday I was using CS2, before that Bibble and CS before that. But yesterday I tried C1 as they included DS assistance, and I like it a lot, I will keep using it for a while I think I will buy it from my examining so far.

    I just discover CS a bit boring, and it requires more attempt to 'bring the images to life'. I know it appears to be hazy, it is difficult to describe. Bibble and C1 just experience better. Your right Ob1 and C1 is a little slowly, although not as slowly as Photoshop..

  4. #4
    Konrad Harold's Avatar
    Konrad Harold is offline Senior Member
    Join Date
    May 2011
    Posts
    336
    Ranking
    3

    Default

    I am choosing RSE when for the capability to really modify the picture information. The designed in Disturbance Cleanser is awesome for ISO 1600 images. The Cannon DPP is fast but quite restricted in what you can do. I want to get my RAW things as near as possible without depending too much on PSE 2.

  5. #5
    Gentian Paul's Avatar
    Gentian Paul is offline Senior Member
    Join Date
    May 2011
    Posts
    374
    Ranking
    3

    Default

    I have just began to use Nikon Catch and the one really awesome function, for Sigma 18-125 customers is the de vignetting function. Plus it is actually very very excellent for Nikon customers. I have used the Adobe RAW plug-in, RSE, and even IRfanview. I need to use Nikon Catch a little more before creating the investment.

  6. #6
    Obert Harold's Avatar
    Obert Harold is offline Senior Member
    Join Date
    May 2011
    Posts
    334
    Ranking
    3

    Default

    Sorry I have not been more effective here recently; between perform and the studying bend I have not had plenty of your energy and energy. Moreover I have guaranteed myself not to take too many more images before I get a new work-flows recognized since with the inclusion of new RAW and TIFF information has triggered my difficult cd property to contract like the nationwide funds extra. One problems is that both these applications offer many manages, but they are applied diversely, so it’s difficult to know just how to get the same type of outcomes from them. For example, RSE has a “fill light” management which is excellent for mentioning the dark areas in underexposed injections. Silkypix does not have that particular management, although it has other manages that are losing on RSE.

Thread Information

Users Browsing this Thread

There are currently 1 users browsing this thread. (0 members and 1 guests)

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •  
SEO by SubmitEdge
SEO by SubmitEdge

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91